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On 23 February 2026, the editors Alessandro Iannello and Tommaso Mola Meregalli, will present the publication ‘Ungers, After All’ in our exhibition space et al. This presentation will be followed by a discussion with Pier Vittorio Aureli, contributor of the book and moderated by Lars Fisher.

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© Maxime Delvaux
Exhibition
common:date16.10.2020 - 17.12.2020
CurationRoxane Le Grelle, Adrien Verschuere
Exhibition DesignBaukunst - Guillaume Bostoen, Lise Duchamp
PhotographyPhotography Maxime Delvaux, Julien Hourcade
FilmFilm Olivier Campagne, Maxime Delvaux
Models and roboticsJulien Dutertre with Loop Studio
Graphic designSpassky Fisher
Co-productionA+ Architecture in Belgium, Centre for Fine Arts Brussels (BOZAR)
SupportWallonia-Brussels Federation, Wallonia-Brussels Architectures, Flemish Government, Brussels Capital Region
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At the crossroads between art and technique, and between theory and practice, the interdisciplinary position of Baukunst is illustrated by numerous collaborations. Like a constellation of elements, fragments and counter-fields, the pieces on display offered a composite view of recent projects and bore witness to the specificities of the office.

Videos, models and photographs highlighted the identity and production of Baukunst by immersing the public in a singular universe at the intersection of art and science. The whole reveals an architecture open to contemporary issues, attempting to respond to current paradigm shifts, using the prism of certain architectural devices and new representations of our inhabited environment situated between fiction and reality.

Originally designed for the Centre for Fine Arts of Brussels in 2019, the monographic exhibition Baukunst was on show in the Solo Galerie in Paris from 16 October to 17 December 2020. In Paris, the presentation of the exhibition was initiated by Wallonia Brussels Architecture in collaboration with the Architecture cell of Wallonia-Brussels Federation.

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