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The exhibition Dirty Materials: Undoing, Dismantling, Undesigning is opening on Thursday 22nd of January at 7:00PM. It will be on show in our exhibition space et al. until Saturday 7th of February.

Visits possible every Friday (10:00-17:00) and Saturday afternoon (14:00-18:00) or on request!

Victor Bourgeois - Le salut de l'architecture c'est la dèche-0
Victor Bourgeois - Le salut de l'architecture c'est la dèche-0
Victor Bourgeois - Le salut de l'architecture c'est la dèche-1
Victor Bourgeois - Le salut de l'architecture c'est la dèche-1
Victor Bourgeois - Le salut de l'architecture c'est la dèche-2
Victor Bourgeois - Le salut de l'architecture c'est la dèche-2
Victor Bourgeois - Le salut de l'architecture c'est la dèche-3
Victor Bourgeois - Le salut de l'architecture c'est la dèche-3
Victor Bourgeois - Le salut de l'architecture c'est la dèche-4
Victor Bourgeois - Le salut de l'architecture c'est la dèche-4
Victor Bourgeois - Le salut de l'architecture c'est la dèche-5
Victor Bourgeois - Le salut de l'architecture c'est la dèche-5
Victor Bourgeois - Le salut de l'architecture c'est la dèche-6
Victor Bourgeois - Le salut de l'architecture c'est la dèche-6
Victor Bourgeois - Le salut de l'architecture c'est la dèche-7
Victor Bourgeois - Le salut de l'architecture c'est la dèche-7
Victor Bourgeois - Le salut de l'architecture c'est la dèche-8
Victor Bourgeois - Le salut de l'architecture c'est la dèche-8
© Maxime Delvaux

Victor Bourgeois - Le salut de l'architecture c'est la dèche

Halles Saint-Géry, Brussels
Exhibition
common:date18.03.2021 - 15.06.2021
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common:more-info

Victor Bourgeois is the leading Belgian representative of the international Modern Movement and played a central role in the development of modern architecture in Brussels, Belgium and, to some extent, internationally. He is an architect-builder, writer, organizer of cultural events and teacher at the Institut Supérieur des Arts Décoratifs - La Cambre.

The exhibition was divided into two parts. On the one hand, 17 diptychs combined recent photographs by Maxime Delvaux with images that Bourgeois himself had made of his work. A contemporary view thus entered into dialogue with the historical documents and highlighted our way of seeing the architecture of that period. On the other hand, the exhibition offered a broad overview of Bourgeois' work on the basis of 33 projects organized into five themes. These are arranged chronologically and correspond to the evolution of Bourgeois' approach.

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