1
0

Latest news

[ 1 ]

A Postmodern Inventory

On Thursday 5 December, a lecture and discussion on Postmodern architectures in Brussels in the framework of Residency #003!

With Bernard Lizin (Atelier d’Architecture de Genval), Jean-Marc Basyn (Urban), Wouter Van Acker, Quentin Tournay (ULB), and Pauline Fockedey ensuring the moderation.

[ 2 ]

Book Presentation + Discussion on the use of concrete !

Alia Bengana will enter in a discussion with Klaas de Rycke moderated by Tiphaine Abenia.

Pastoor van Ars Church, The Hague-0
Pastoor van Ars Church, The Hague-0
Pastoor van Ars Church, The Hague-1
Pastoor van Ars Church, The Hague-1
Pastoor van Ars Church, The Hague-2
Pastoor van Ars Church, The Hague-2
Pastoor van Ars Church, The Hague-3
Pastoor van Ars Church, The Hague-3
Pastoor van Ars Church, The Hague-4
Pastoor van Ars Church, The Hague-4
Pastoor van Ars Church, The Hague-5
Pastoor van Ars Church, The Hague-5
Pastoor van Ars Church, The Hague-6
Pastoor van Ars Church, The Hague-6
Pastoor van Ars Church, The Hague-7
Pastoor van Ars Church, The Hague-7
Pastoor van Ars Church, The Hague-8
Pastoor van Ars Church, The Hague-8

Pastoor van Ars Church, The Hague

Brussels
Book
Date01.12.2022

Editing

Architecture Curating Practice

Texts

Francis Strauven

Lithography

Laetitia Gendre

Graphic design

Bart de Haas

Publishing

Aldo+Hannie van Eyck Foundation, Architecture Curating Practice, Verlag der Buchhandlung Walther und Franz König

Support

Flanders Authorities, Creative Industries Fund, University Foundation

More info

The Pastoor van Ars Church that was built in 1969 by Aldo van Eyck in The Hague is one of the few significant church buildings to emerge from the second half of the twentieth century. This book sheds light on the unique architectural and spatial qualities of the building. Although not a Catholic believer himself, Van Eyck endeavored to realize an authentic and contemporary Catholic church building. To this end, he went back to the original typology of the early Christian basilica, whose components he incorporated into the new conception of space put forward by the twentieth-century avant-garde, in particular the dynamic order of Mondrian and the archetypes of Brancusi. The author, who previously wrote an extensive monograph on the ideas and work of the Dutch architect, pays particular attention to the intensive design process, which he has reconstructed using more than a hundred design sketches from the Van Eyck archive.