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common:latest-news

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On Thursday 24 September at 19h, Wanling Chang, Celeste Tellarini & Gianni Villa will present PAS MAL, a collection of 200 photos of Brussels by Celeste Tellarini, in our exhibition space et al., ... followed by a "Brussels Bingo"!

The event will continue as a three-day exhibition in our exhibition space.

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Opening of the exhibition *DEMOT !
The opening will take place on 10 September during which all 52 entries will be exhibited, the full jury report published, and the winners publicly announced. Join us!
The exhibition will be open on Friday and Saturday from 10:00 am to 6:00 pm, and on Sunday from 11:00 am to 1:00 pm.

Friends and Fruits-0
Friends and Fruits-0

Friends and Fruits

et al., Brussels

On Wednesday 22 April, artist Antoine Espinasseau presented his artistic practice and discussed his fascinations with botanical gardens, thermoformed shapes, and decomposing fruits.

Antoine Espinasseau is a sculptor whose work spans sculpture, film, collage, and photography. His works have been exhibited in various cultural institutions, galleries, foundations, and biennials. In his practice, the environment, or what he often refers to as circumstances, operates as an integral component of the work, alongside the objects themselves.

We were delighted to welcome him to our space et al. to learn more about his practice around a selection of his work that was presented on this occasion.

Lecture
common:date22.04.2026
common:more-info

In the framework of Art Brussels, Antoine Espinasseau presented his artistic practice and discussed his fascinations with botanical gardens, thermoformed shapes, and decomposing fruits, on Wednesday 22 April.

Antoine Espinasseau is a sculptor whose work spans sculpture, film, collage, and photography. His works have been exhibited in various cultural institutions, galleries, foundations, and biennials.

In his practice, the environment, or what he often refers to as circumstances, operates as an integral component of the work, alongside the objects themselves. Attentive to gestures of displacement, the images, objects, and scenes he brings into view often appear in order to evoke another place or another presence. This off-screen space, a privileged territory for the artist, remains suggested rather than fully revealed, and it is precisely this encounter that Antoine Espinasseau seeks to create.

We were delighted to welcome him to our space et al. to learn more about his practice around a selection of his work that was presented on this occasion.

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